Can poetry save the Earth? No. But it is, perhaps, able to show us the Earth – and our relationship to it – in a way we are not used to seeing it.
I’ve produced a lot of words over the last two decades. This is not an archive of all of them, but you might call it the edited highlights.
It includes reportage from Britain and the wider world, book reviews, interviews, debates, talks and other ephemera, culled from Fleet Street papers, magazines, books, the programmes of plays, websites and more.
Some time ago I also put together some advice for writers, and thoughts on the writing life.
An attempt, back in the early days, to explain to a festival audience, and perhaps to myself, what the Dark Mountain Project is about.
Our aggressively ‘progressive’ culture doesn’t seem to be able to talk intelligently about land and place. What’s it scared of?
My most talked-about piece of journalism by a long way. An account of a personal journey through environmentalism, and a lament at what it has become.
English governance is a canker at the heart of our crumbling constitution. The UK is broken, but the political class won’t talk about it.
A historical fancy commissioned for the programme of the play Jerusalem, written by Jez Butterworth and performed in the West End in 2010 and on Broadway in 2011.
How many more National Trust tea rooms will have to be submerged under eight feet of water before we can grasp that the future is not behaving in the way it was supposed to?